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Pretty boy Billy (Jude Law) is an amoral rebel without a cause. His anarchic response to a miserable life London has to steal cars and drive them through shop windows: “crash and carry,” as a fellow “consumers” terms it. But he and his tough, video game-obsessed gal pal Jo (Sadie Frost) is not Bonnie and Clyde. Their shopping trip is just one reason for the adrenaline rush of destruction at the thrill of playing high-speed tag cops, a game that starts to wear thin on Jo. “Why do not you grow up, eh?” he finally asked. “And do what?” he answered helplessly.

The feature debut of Brit stylist Paul Anderson (Event Horizon) is a cloudy film alleys smooth, blue-lit underground garages, and slick city streets. London is a dystopian near future through the lens of Blade Runner driven by almost single-handedly by Law reckless charm and wild energy. It is hard to say whether the film is about the nihilism of sensation-hunting lost youth or just a sensational melodrama of aimless rebellion, but there is something appealing however irresponsibly anti-establishment Billy’s Madden. – Sean Axmaker

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